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Diatonic Fourths · Exercises

Cmaj7 · Fmaj7 · Bm7b5 · Em7 · Am7 · Dm7 · G7

Imaj7 · IVmaj7 · viiø7 · iii7 · vi7 · ii7 · V7 in the key of C

Adam assigns this to his students all the time. Each chord sits four steps up from the last, and every one of them belongs to {key}. Watch the move from {r2} to {r3}: every other jump here is a plain perfect fourth, but that one is a half step wider, because the note that would make it plain is not in the key. That is the augmented fourth, and it is the reason this drill is worth doing exactly as written. Try it in every key you play in.

Four bars of diatonic fourths in the key of C, written Imaj7 · IVmaj7 · viiø7 · iii7 · vi7 · ii7 · V7 and played let it ring at around 72 beats per minute. The chord shapes are below, and you can hear the whole thing play — and slow it down — without an account.

Chord diagrams for Cmaj7, Fmaj7, Bm7b5, Em7, Am7, Dm7, G7 — Imaj7 · IVmaj7 · viiø7 · iii7 · vi7 · ii7 · V7 in C

Practice this progression →

Opens in the Progression Lab. No account, nothing to sign in to — ten minutes of playback a day, and an hour with a free account.

What the chords are

This is Imaj7 · IVmaj7 · viiø7 · iii7 · vi7 · ii7 · V7 in the key of C — the degree of each chord is what makes the progression recognisable in any key, so the same four moves transpose anywhere once you know them by number.

How it should feel

Strum
Let it ring
Groove
None
Tempo
72 bpm
Key
C
Voicings
Campfire

Big open grips and barres — the whole-hand chords everyone starts on.

The shapes

Low E on the left, high e on the right. 0 is an open string, × is one you do not play.

ChordEADGBe
Cmaj7 ×32000
Fmaj7 ××3210
Bm7b5 ×2323×
Em7 020000
Am7 ×02010
Dm7 ××0211
G7 320001

More Exercises

Posted . Part of a growing library of guitar chord progressions.