D6 · Bm7 · Em7 · A7 · F#m7 · B7 · Em7 · A7
Gershwin’s eight bars — after the blues, the most-borrowed changes in jazz.
Every Jazz progression Adam posts, with the chord shapes, the strum, the groove and what the changes are doing. Open any of them for the shapes and the feel. No account, nothing to sign in to.
Gershwin’s eight bars — after the blues, the most-borrowed changes in jazz.
The dark sentence — half-diminished in, dominant through, minor six home.
Jazz’s whole sentence structure, in one line. Loop it in every key.
A turnaround. Four chords that lean on each other and hand you back to the start, which is why you hear it at the end of so many jazz tunes.