Bm7 · E7
The minor-seven-to-dominant lift — smoky, modern, endless.
Every R&B / Soul progression Adam posts, with the chord shapes, the strum, the groove and what the changes are doing. Open any of them for the shapes and the feel. No account, nothing to sign in to.
The minor-seven-to-dominant lift — smoky, modern, endless.
Two chords and a whole Motown catalogue — "My Girl" lives here.
The doo-wop changes grown up — sevenths in the bass seats, backbeat on top.
Every chord here is a seventh chord. That extra note keeps each one sounding a little unfinished, so the progression flows from one chord to the next without ever fully settling. That’s the smooth, easy sound soul ballads are built on.
The minor-seven-to-dominant lift — smoky, modern, endless.
Two chords and a whole Motown catalogue — "My Girl" lives here.
The doo-wop changes grown up — sevenths in the bass seats, backbeat on top.
Every chord here is a seventh chord. That extra note keeps each one sounding a little unfinished, so the progression flows from one chord to the next without ever fully settling. That’s the smooth, easy sound soul ballads are built on.